Posts Tagged ‘Killer’

SP vanFirst off I must confess I am not a big fan of satire. Most of the time I don’t get it. I am the kind of person who takes things literally. So when I watched Amy Holden Jones‘ 1982 satirical slasher film The Slumber Party Massacre I wasn’t sure what to make of it at first. I didn’t realize that the stupidity of the characters and directions was supposed to be that way. In fact, though I laughed at several places, it wasn’t until the scene with the body in the refrigerator that it hit me, “Hey, this is supposed to be funny.”SP frige

 

SP bloodI thought it was strange that the two boys couldn’t hear the hot telephone repair girl in the van, and the girl in the shower was smart enough to try and keep the blood from leaking out from under the door, even though she failed, but when the killer all the sudden looks down for no reason, I couldn’t decide if it was bad directing or bad acting. SP pizzaWhen one of the girls takes the pizza box from under the dead delivery man and begins eating the pizza, I was beginning to get the hint.

SP trunkThere are several other scenes that made me smirk or grin, including the body dump in the trunk of the car, SP angelsthe Charlie’s Angels pose, and the SP three girlsThree Stooges walk down the hall, but I still was not convinced.

 

The many fake-outs seemed forced and overdone. (I realize now they were supposed to be that way.)

SP fake out SP peep hole

Slumber Party was more of a satirical parody, rather than straight parody or straight satire. Perhaps that is why I was not the only one to misread the intentions of the director.

SP sneek

I had heard a little about the movie before watching it, and frankly I expected something a little different. Brigid Cherry said that “several final girls” assisted in killing the killer (24). So I expected these girls to be a bit smarter than the average slasher victim. I expected the girl that was tough enough to judo flip her massive boyfriend would have been able to land a well placed kick in the groin as the killer stood in front of her with his legs spread apart. Zinoman mentioned that “an entire genre called ‘rape-revenge’ movies told stories of empowered women fighting back” (196). I kept waiting for these women to stand up and whomp on this guy, but every time someone did  fight back, they would stupidly put down their weapon in the next frame. Even his death seemed more of an accident than a woman taking charge. I’m sure this was part of that satire part that I just don’t get.

SP fencing  SP machette

Bob Clark‘s Black Christmas seems to purposely rebel against, if not all, at least some of the standard conventions of the slasher movie genre. Carol Clover presents the components of a slasher movie as “killer, locale, weapons, victims, and shock effects” (26).

BC eyeKiller

In Black Christmas we never find out who the Killer is or why he is killing. We see him observe the house and climb the trellis into the attic through the use of the I-camera, but other than his hands and a single eye, we never see the killer. We know little about him except that he is stuck in some past indiscretion, “Agnes it’s Billy. Don’t tell what we did Agnes.” I guess he could fall under Clover’s description of a monster “whose only role is that of killer” (30).

BC hookLocale

Although the killer hangs out in the attic and in facts kills one of his victims in the attic and the final girl ends up in the basement, most of the killings themselves do not take place in a “terrible place” (30). They take place in the relatively safe local of home and in at least two cases, in the victims own room.

WeaponBC weapon

The killer in this film seems to take no thought in weapon, but, except for the cop, instead uses a weapon of convenience. The first victim is smothered by the plastic dry cleaner wrapping he is hiding behind in the closet. The second by a hook on a chin that happens to be hanging in the attic. The third by a glass unicorn displayed on a self above the bed. He does keep in line with Clover’s “pretechnological” definition (31).

BC virginVictims

The victims in this film are older than most. College girls and since they drink freely most likely in their early twenties. Also the first victim is not sexually active or engaging in any immoral activity. In fact, Barb labels her a virgin.

BC barbFinal Girl

The final girl is usually obvious from the beginning of the movie, but in this case I was sure that Barb would be the final girl in the beginning of the movie. She fit the description better than the others. Although most of the girls have adrogenous names, (Barb, Jess, Phyl) Barb is presented with a definite masculine feel. In the first scene she spends most of the time with a cigarette in one hand and a drink in the other. Her hair is pulled up and she is wearing a man’s shirt. She is the one who stands up to the pervert on the phone, but in fact, Barb turns out to be more like her name, a annoyance to everyone including the police. The true final girl is not only not virginal, she is pregnant and planning an abortion. She is also very feminine.BC Jess